Tag Archives: Robert Yellin

Robert Yellin’s Newsletter: Japanese Pottery by Fujioka Shuhei

Greetings from Mishima,

We hope this finds all well and enjoying the wonders of autumn
(here in the northern hemisphere).

As the rain falls here for the past few days, I know magical snow is falling on Mt.Fuji, what a wonder to see when rain stops and the clouds part; I hope to share that wondrous sight in a future online listing! Stay tuned, yet for now it’s Iga time.

We are excited to announce and share previews of our third Fujioka Shuhei exhibition. Iga ceramic artist Fujioka Shuhei (b.1947) possesses the power to make mountains out of clay. He then fires his bold creations in an anagama to ‘fire-brush’ on mossy green, blue and gray natural ash glazes.

These captivating colors contrast and highlight the rich clay flavor and hi-iro (fire color) that Iga is world-renowned for, as well as the koge scorch colors (Iga has three famous keshiki-landscapes of hi-iro, koge and bidoro-glass). Iga is one of those magical medieval styles that speaks volumes of the Zen-inspired ways that are to be found within Tea-pottery; Fujioka understands this. His heart is pure and he loves the earth at his feet, whether it is for his clay works, or the vegetables he grows in the fields. Like potters of old, he too is a farmer and listens to the teachings that nature whispers in his ears. In a nutshell, after graduating college Fujioka went to work for a production kiln in Seto. Yet upon seeing a Ko-Iga piece, he then knew there was no other style for him. He apprenticed with Tanimoto Kosei before establishing his own kiln in 1975.

He’s had countless solo exhibitions throughout Japan and has been featured in numerous publications. Fujioka is to Iga what Harada and Kakurezaki are to Bizen, except without all the awards. He’s a soft-spoken man, humble and deep; all these qualities are in his work as well as an awe-inspiring feel of the power of nature. Fujioka fires a small kiln for three
days and if he gets a one-third success rate for any kiln he feels it’s been a success. The high loss rate is one reason we find so few Iga potters, it’s almost loony–as Fujioka himself says—to work in Iga with all its hurdles and failures. Yet the successes are clay jewels, as you’ll see for yourself in the following links. We are extremely pleased to offer the world a chance to see Fujioka’s Iga world online or here at our Mishima gallery until December 10th.

The exhibition will go online for public viewing on Tuesday of next week, for those who have signed our guest book please see the following hidden preview links. Only minimal details are noted and any extra information or additional photos will gladly be sent upon request. We hope you enjoy the world of one of Iga’s most important ceramic artists today, Fujioka Shuhei:
1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23

Also, our gallery was very honored to be the feature in arecent Japan Times article, you can access that here:
http://search.japantimes.co.jp/cgi-bin/fl20091114a1.html

Kampai and all the best from Japan.

Cordially,

Robert Yellin
HOMEPAGE

RECOMMENDED RELATED SITES:
Warren Bobrow
5 Star Foodie
Think Twice
Frank Fariello

Please check the new postings at:
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Robert Yellin’s Newsletter: Japanese Pottery by Yokoyama Naoki

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Framed photographs by Mishima photographer Okabe Minoru

Greetings from Mishima,

With autumn in the air in this part of our world, the senses are filled with glorious sights and smells as nature prepares for her winter hibernation. We hope this finds all well and also enjoying the season, whatever it may be where you are.

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Thanks so much to all who visited our recent Miyao Masahiro exhibition and we continue with the Bizen theme in a very different realm though, namely shizen-nerikomi or natural marbled Bizen. This is the world of Yokoyama Naoki.

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Our last Yokoyama exhibition was in May of 2006 and the works offered in the current exhibition were all fired very recently; I went down to his kiln on October 12th to select the works. Most of very much in an autumn tone-themed with rich oranges and browns created from the two or three different toned clay he uses. Yokoyama told me it takes 10 times more labor to make his shizen-nerikomi compared to regular Bizen. The forms range from very strong and stoic to more organic and natural; the larger rectangular forms acting as a canvas for the rich clay landscapes. Some of the cups and guinomi are of a black Bizen marbled type that was achieved by placing the works in
saggar-fire-proof casings and then adding charcoal towards the end of the firing. Each piece was carefully selected and as you’ll see in the following exhibition preview links Yokoyama is a superb Bizen ceramic artist taking Bizen in brilliant directions with his unique vision of marbled Bizen. (There are a few yohen Bizen and other non-marbled Bizen works to be seen as well.)

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Yokoyama (b.1970) lives in the hills of Bizen where he established his kiln in 2000. Before that he studied with Kawabata Fumio and at the Bizen Pottery Center. His works have been accepted into juried exhibitions that include the Tanabe Museum’s Contemporary Tea Forms exhibition, Okayama Prefecture Art exhibition, Japan Traditional Arts and Crafts Chugoku region exhibition, Japan Ceramic Art exhibition and the Japan Traditional Arts and Crafts National exhibition, some of these
numerous times. As with Miyao, Yokoyama is an extremely talented
Bizen ceramic artist and one who’s star will surely rise even higher.

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The hidden preview links are below, additional photos of any work gladly sent on request and the exhibition will go online for public viewing this Friday:
1, 2, 3, 4, 5, 6, 7, 8, 9, 11, 12, 13, 14, 15, 16, 17, 18, 19.

Enjoy!

With deep thanks and appreciation from Mishima.
Sincerely,

Robert Yellin
HOMEPAGE

3-2-18 Omiya-cho, Mishima-shi, Shizuoka-ken
Phone: 81-559-91-5388
Fax: 81-559-91–5387

RECOMMENDED RELATED SITES:
Warren Bobrow
5 Star Foodie
Think Twice
Frank Fariello

Please check the new postings at:
sake, shochu and sushi

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Robert Yellin’s Newsletter: Japanese Pottery by Miyao Masahiro

scene

Greetings from Mishima,

We hope this finds you well and enjoying the autumn season. Here in Japan it’s the Season of Culture–and great food and drink–with many exhibitions and events planned throughout the islands. Here in Mishima we’re starting our autumn exhibition season with Miyao Masahiro, an emerging-important Bizen ceramic artist who recently fired and unloaded his autumn kiln.

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Robert was the first to see–and select–the newly fired works and we offer here in our preview pages the chance to acquire one or more of the 60 works, ranging from cups to large vessels.

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Miyao Masahiro was born in 1970 in Fukuoka prefecture on the southern island of Kyushu. Even from his boyhood he knew he wanted to ‘play with clay and fire’ and become a Bizen ceramic artist. With that goal in mind he dropped out of university in 1991 and headed to Bizen to apprentice with Okayama Intangible Cultural Property Yamamoto Yuichi (son of Living National Treasure Yamamoto Toshu 1906-1994).

cups-all

Miyao established his own kiln a few kilometers outside of Bizen in 2001. His star has been on the rise ever since with awards won at prestigious events such as the Japan Traditional Arts and Crafts exhibition, which was the JTAC Chairman’s Award and Miyao is only the third Bizen potter ever to win this award. Other awards were garnered at the Contemporary Tea Forms Exhibition at the Tanabe Museum and at the JTAC Chukoku Exhibition where he was awarded the Okayama City Mayor’s Award, and the Okayama Culture Exhibition where he won the Runner-up Grand Prix. All of these in a very short time span.
Easy to see why.

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His forms are fresh and engaging, combined with his superb firings we have a rising star. He does all the classic Bizen styles including the highly prized ‘kiln change’ yohen, dripping sesame goma, scarlet hidasuki rice cord markings and his addition of pine ash on some works to add a new ‘landscape’ to his works; we offer all these styles in this exhibition.

The preview hidden links are below and all details on each piece can be found under the photos in the captions. Additional photos or details on any work will gladly be sent upon request to:
robert@e-yakimono.net
The exhibition will be available for public viewing in a few days, for now those who have signed our guest book—thank you–are offered previews here:

1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14

Our future exhibitions before the year ends include a look Iga’s Fujioka Shuhei, Bizen by Yokoyama Naoki, and a few large Shodai plates by Inoue Taishu that were exhibited at the Kumamoto Prefectural Museum of Art. Also on the horizon Wakimoto and Harada of Bizen with about a dozen works each. Of course, each weekday we continue to offer new works by many various artists working in many styles; we hope you visit us here in Mishima or online

With thanks and appreciation as always and all the best from apan.

Sincerely,

Robert Yellin
HOMEPAGE

3-2-18 Omiya-cho, Mishima-shi, Shizuoka-ken
Phone: 81-559-91-5388
Fax: 81-559-91–5387

RECOMMENDED RELATED SITES:
Warren Bobrow
5 Star Foodie
Think Twice
Frank Fariello

Please check the new postings at:
sake, shochu and sushi

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Robert Yellin’s Newsletter: Mishima Summer Greetings-Some new Ceramic

FUKAMI
Fukami Bowl

Greetings from Mishima,

Here in Japan just yesterday the news announced that the rainy season has officially ended in Okinawa, and thus the rest of Japan can look for clear skies in the coming days and weeks. Much rain has fallen–as in many parts of the world–and all I can say is bless the rain and clear water, essential for a good life and good ceramic art!

AGANO-TSUBO-FRONT
Agano Tsubo

In the past weeks here at the gallery we have previewed and listed some Mino works by Yamada Kazu, a fine Morino Taimei jar, a Fukami bowl, rare Mashiko jar by Kimura Ichiro, among other works.

KIMURA-FRONT
Mashiko jar by Kimura Ichiro

Tomorrow yakishime-anagama specialist Nagaoka Masami is stopping by to show us some new works. We hope that to refresh the senses and spirit you’ll stop by the online gallery to view these pieces and others as well.

MIHARA-FRONT
Mihara work

Any works ordered before the rainy season ends here in Mishima will have EMS on the house along with some of Shizuoka’s finest green tea added.

yamada-kazu-oribe-and-iga-vases
Yamada Kazu & Oribe Iga Vases

On tap for the autumn look for exhibitions by Bizen potters Miyao
Masahiro and Yokoyama Naoki, then Shigaraki by Kato Takahiro and Iga by Fujioka Shuhei.

In the meantime, on the 14th of June I’ll be going to a major dealer-only gathering—the only foreigner–and hope to find some great single works to offer, stay tuned on from the 15th of June.

Wishing all a pleasant summer, and as always thank you and best from Japan.

Cordially,

Robert Yellin
HOMEPAGE
email at robert@e-yakimono.net

Robert Yellin’s Newsletter: Koinuma Michio–Significant Objects–Exhibition Previews

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Greetings from Mishima,

To all yakimono fans far and wide, it’s been awhile indeed. We hope that this finds you and yours well enjoying the joys of spring.

Here in our gallery we continue to offer one-of-a-kind works each
weekday shown on our online gallery pages. Recently we offered a look at Seto potter Takeuchi Shingo, new works by Takahashi Samon and Sasaki Izuru’s tenmoku sake cups. Now, we’d like to share preview links to one of Japan’s most respected veteran potters, Koinuma Michio.

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Koinuma (b.1936) was selected in a 2001 survey by a leading Japanese ceramic art magazine as one of most popular veteran potters of the 20th century. In that list number one was Kamoda Shoji–more about their connection later on–with Koinuma being in a tie for number 11 with votes that equaled Itaya Hazan, Furutani Michio, Koie Ryoji, Shimizu Uichi, Kato Hajime, Fujiwara Kei, Yamamoto Toshu and Tamura Koichi (the latter five all Living National Treasures). Yabe Yoshiaki of the Tokyo National Museum wrote of visiting a Koinuma exhibition after having just returned from the US, “I was instilled with a powerful impression of a man pursuing the most solemn and expression-oriented work in the whole international world of modern arts and crafts.”

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As you’ll see in the following links to Koinuma’s most recent works–I visited him a few weeks ago and selected just fired pieces–Koinuma’s ceramic art is indeed solemn, there is an ancient feel and aura to his output not only in form, yet in firing as well. The works have a magnetic power that the current Head Curator of the National Museum of Modern Art, Craft Gallery, Tokyo Kaneko Kenji described as ‘possessive.”

All Koinuma’s forms are hand-built with slabs of clay and he hardly ever repeats forms, like that of Kamoda Shoji. Koinuma was inspired by Kamoda back on the 60s and is one reason he moved to Mashiko; at that time Kamoda was making ash-glazed works, Koinuma told me Kamoda’s work took a dramatic change in form after he met Koinuma. The two had planned to do an exhibition together, yet fate took Kamoda away much too early.

Many young potters have sought out Koinuma’s advice over the years on making forms and firing and Koinuma mentioned when now hot Mihara Ken came to visit about twenty years ago to learn about sekki-stoneware firing forms and burnishing techniques; the styles and spirituality of both potters are inspiring indeed.

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We’ve offered Koinuma’s single pieces now and then over the years, this is the first time to show a number of works. The exhibition will go online from May 13th and below are hidden links of the exhibition. All pertinent details are noted in photo captions and any additional photos or details will be gladly send upon request. Koinuma does not provide boxes, yet we can order them here for a small fee and send the lids to him to have signed. He will be visiting the gallery during the exhibition,
which ends on May 29th–and we’d be happy to take a photo of any
work with him if requested. Koinuma is a rare and important Japanese ceramic artist and we hope you find at least one piece to add to your home to inspire and delight the senses and spirit.

Check more on Homepage: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12


The Japan Blog List

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Must-see tasting websites:
-Sake: Tokyo Through The Drinking Glass, Tokyo Foodcast, Urban Sake, Sake World
-Wine: Palate To Pen
-Beer: Good Beer & Country Boys, Another Pint, Please!
-Japanese Pottery to enjoy your favourite drinks: Yellin Yakimono Gallery
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Please check the new postings at:
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