Tag Archives: Japanese Pottery

Robert Yellin’s Newsletter: Mishima Summer Greetings-Some new Ceramic

FUKAMI
Fukami Bowl

Greetings from Mishima,

Here in Japan just yesterday the news announced that the rainy season has officially ended in Okinawa, and thus the rest of Japan can look for clear skies in the coming days and weeks. Much rain has fallen–as in many parts of the world–and all I can say is bless the rain and clear water, essential for a good life and good ceramic art!

AGANO-TSUBO-FRONT
Agano Tsubo

In the past weeks here at the gallery we have previewed and listed some Mino works by Yamada Kazu, a fine Morino Taimei jar, a Fukami bowl, rare Mashiko jar by Kimura Ichiro, among other works.

KIMURA-FRONT
Mashiko jar by Kimura Ichiro

Tomorrow yakishime-anagama specialist Nagaoka Masami is stopping by to show us some new works. We hope that to refresh the senses and spirit you’ll stop by the online gallery to view these pieces and others as well.

MIHARA-FRONT
Mihara work

Any works ordered before the rainy season ends here in Mishima will have EMS on the house along with some of Shizuoka’s finest green tea added.

yamada-kazu-oribe-and-iga-vases
Yamada Kazu & Oribe Iga Vases

On tap for the autumn look for exhibitions by Bizen potters Miyao
Masahiro and Yokoyama Naoki, then Shigaraki by Kato Takahiro and Iga by Fujioka Shuhei.

In the meantime, on the 14th of June I’ll be going to a major dealer-only gathering—the only foreigner–and hope to find some great single works to offer, stay tuned on from the 15th of June.

Wishing all a pleasant summer, and as always thank you and best from Japan.

Cordially,

Robert Yellin
HOMEPAGE
email at robert@e-yakimono.net

Robert Yellin’s Newsletter: Koinuma Michio–Significant Objects–Exhibition Previews

picture10
Greetings from Mishima,

To all yakimono fans far and wide, it’s been awhile indeed. We hope that this finds you and yours well enjoying the joys of spring.

Here in our gallery we continue to offer one-of-a-kind works each
weekday shown on our online gallery pages. Recently we offered a look at Seto potter Takeuchi Shingo, new works by Takahashi Samon and Sasaki Izuru’s tenmoku sake cups. Now, we’d like to share preview links to one of Japan’s most respected veteran potters, Koinuma Michio.

picture1

Koinuma (b.1936) was selected in a 2001 survey by a leading Japanese ceramic art magazine as one of most popular veteran potters of the 20th century. In that list number one was Kamoda Shoji–more about their connection later on–with Koinuma being in a tie for number 11 with votes that equaled Itaya Hazan, Furutani Michio, Koie Ryoji, Shimizu Uichi, Kato Hajime, Fujiwara Kei, Yamamoto Toshu and Tamura Koichi (the latter five all Living National Treasures). Yabe Yoshiaki of the Tokyo National Museum wrote of visiting a Koinuma exhibition after having just returned from the US, “I was instilled with a powerful impression of a man pursuing the most solemn and expression-oriented work in the whole international world of modern arts and crafts.”

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As you’ll see in the following links to Koinuma’s most recent works–I visited him a few weeks ago and selected just fired pieces–Koinuma’s ceramic art is indeed solemn, there is an ancient feel and aura to his output not only in form, yet in firing as well. The works have a magnetic power that the current Head Curator of the National Museum of Modern Art, Craft Gallery, Tokyo Kaneko Kenji described as ‘possessive.”

All Koinuma’s forms are hand-built with slabs of clay and he hardly ever repeats forms, like that of Kamoda Shoji. Koinuma was inspired by Kamoda back on the 60s and is one reason he moved to Mashiko; at that time Kamoda was making ash-glazed works, Koinuma told me Kamoda’s work took a dramatic change in form after he met Koinuma. The two had planned to do an exhibition together, yet fate took Kamoda away much too early.

Many young potters have sought out Koinuma’s advice over the years on making forms and firing and Koinuma mentioned when now hot Mihara Ken came to visit about twenty years ago to learn about sekki-stoneware firing forms and burnishing techniques; the styles and spirituality of both potters are inspiring indeed.

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We’ve offered Koinuma’s single pieces now and then over the years, this is the first time to show a number of works. The exhibition will go online from May 13th and below are hidden links of the exhibition. All pertinent details are noted in photo captions and any additional photos or details will be gladly send upon request. Koinuma does not provide boxes, yet we can order them here for a small fee and send the lids to him to have signed. He will be visiting the gallery during the exhibition,
which ends on May 29th–and we’d be happy to take a photo of any
work with him if requested. Koinuma is a rare and important Japanese ceramic artist and we hope you find at least one piece to add to your home to inspire and delight the senses and spirit.

Check more on Homepage: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12


The Japan Blog List

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Must-see tasting websites:
-Sake: Tokyo Through The Drinking Glass, Tokyo Foodcast, Urban Sake, Sake World
-Wine: Palate To Pen
-Beer: Good Beer & Country Boys, Another Pint, Please!
-Japanese Pottery to enjoy your favourite drinks: Yellin Yakimono Gallery
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Please check the new postings at:
sake, shochu and sushi

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日本語のブログ
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Robert Yellin Pottery Gallery Newsletter


The Japan Blog List

Please check the new postings at:
sake, shochu and sushi

—————————————-
日本語のブログ
—————————————-

From now on I will publish Robert Yellin’s (wit his approval) Pottery Gallery Newsletter because he lives in Numazu City and works in Mishima City, and also sells great pottery, which is great prerequisite to gastronomy!

Greetings from Mishima,

Now in Japan is a time called tsuyu–better known as the rainy season. The weather changes quite dramatically each day withdownpours and sunshine that keeps one in humble awe at the
beauty and life giving force that nature provides.

Something that is more of a constant to bank on though is theheat, something that will surely come when the rainy seasonpasses in a few weeks. Then it’s matsuri-festival time!

With that in mind, we are delighted to offer one ceramic artistwhose works will allow you to keep cool in spirit and mind simplyby gazing upon, or better yet using the vessels; many who followour gallery know him: Ono Kotaro.

These are new works by the very-talented Ono. First, a bit aboutOno(b.1953); winner of the 4th Mashiko Ceramics CompetitionHamada Shoji Prize, he creates sleek, sharp porcelain wares. Yet,what is unique about Ono is that his porcelain has two sides toits character: at first glance, his wares look crisp and cool, like fallen snowdrops. Yet at the same time, he has instilled in
his works a delicate, warm glow that is not often found in porcelain wares. This trait can be seen especially in his three trademark glazes of Seihakuji (Bluish White Porcelain), Hakuji
(Ivory White Porcelain) and Ouji (Creamy Yellow Porcelain). Ono uses shinogi–incised lines and ridges–that give his pieces a wave-like rhythm that is uncommon in “static” porcelain. He has a
keen sense of balance and design, and retains porcelain’s elegance while simultaneously being innovative in his “soft yet sharp warmth.” He teaches ceramics at Takikawa Ceramic Center and
his exhibitions and awards include: The Exhibition of Japanese Traditional Art Crafts in Eastern Japan, Mitsukoshi Award in ’80,’83 and Encouragement Prize, ・6; Japanese Traditional Art
Crafts in Japan, Hokkaido Modern Art Museum, Sapporo’84,’85,’86, Hokkaido Asahikawa Museum’90, Fletcher Challenge, Auckland, New Zealand’94, The Exhibition of Modern Ceramics for Tea-Ceremony, Toki, Gold Prize ’95, Toki Oribe Grand Prize in 2000, Asahi Modern Craft Exhibition, ’99, Creative Sake Cup Exhibition, Grand Prize, 2000, and the aforementioned Hamada Prize, among others.
Mention should be made that an Ono Seihakuji mizusashi (fresh water jar) was acquired by the famous Mary and Jackson Burke Foundation (one of the best Japanese Art collections overseas),
and what’s more, this piece was exhibited at the Metropolitan Museum’s Japan Wing.

We are offering previews of the exhibition to all those who have signed our guest book. The links are to follow and will be placed on the gallery for public viewing later this week.
Additional photos of any works will gladly be sent upon request.
Prices are noted in yen and a good web currency exchange web site can be viewed at http://www.xe.com/ucc/

Here are the links:
http://www.trocadero.com/japanesepottery/items/782953/item782953.html
http://www.trocadero.com/japanesepottery/items/782952/item782952.html

http://www.trocadero.com/japanesepottery/items/782951/item782951.html

http://www.trocadero.com/japanesepottery/items/782949/item782949.html

http://www.trocadero.com/japanesepottery/items/782948/item782948.html

http://www.trocadero.com/japanesepottery/items/782947/item782947.html
http://www.trocadero.com/japanesepottery/items/782945/item782945.html
http://www.trocadero.com/japanesepottery/items/782944/item782944.html

http://www.trocadero.com/japanesepottery/items/782943/item782943.html
http://www.trocadero.com/japanesepottery/items/782942/item782942.html

http://www.trocadero.com/japanesepottery/items/782938/item782938.html

We hope you enjoy viewing, and acquiring, Ono’s work; a sure wayto beat the summer heat and add a touch of beauty to the day.

Namaste and kansha from Japan.

Cordially,

Robert Yellin
Robert Yellin Yakimono Gallery